Almost identical in outward appearance to the DCR-HC18E (reviewed above), Sony?s more expensive DCR-HC40E distinguishes itself physically with a slightly classier dark grey metallic finish and a smidgen of extra weight. Tragically, the camcorder?s anatomical likeness to its cheaper counterpart means it is similarly crippled by a bottom-loading tape mechanism.

It?s less forgivable in this case, as the DCR-HC40E is obviously intended for advanced users who are more liable to use a tripod.

Similarities to the DCR-HC18E aren?t just skin deep, either. Many of the budget camera?s positive attributes also make a reappearance including the Carl Zeiss 10x optical zoom lens, Nightshot Plus setting for filming in low-lighting conditions and the convenient touchscreen LCD technology.

But the DCR-HC40E also manages to address many of the points we found lacking in the more basic model. Still photos can be taken at higher resolutions (1,152 x 864 pixels) and are stored on a Memory Stick Duo card rather than on tape.

More importantly, perhaps, for prospective desktop video editors is the inclusion of a bidirectional Firewire socket and analogue input. Interestingly, the DCR-HC40E can be used as a conduit from an analogue video source directly to your computer without having to record to DV tape. This pass-through feature will be useful for anyone looking to digitise large amounts of analogue recordings, since it won?t inflict any unnecessary wear on the camcorder?s moving parts.

It?s not quite up there with the three-chip Panasonic model or the Canon MVX250i, but the DCR-HC40E?s picture shows a marked improvement on the DCR-HC18E, with lively colours and sharp edges outdoors and only a negligible loss of detail and colour in lower, artificial lighting.

Contact: Sony 08705 111 999
www.sony.co.uk

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